In 2009 I've been doing exercises jumping round-robin from one kind of exercise to the other, but now I think I need to focus on certain exercises for a few weeks in a row in order to learn the difficult stuff. Now for daily exercises I'll focus for 1-2 months on quick paintings, with two main goals:
- Learning more about lightness and about color temperature of low saturation colors (i.e. how to use effectively warm and cool grays in the same picture, to suggest light of a certain hue etc.);
- Applying to actual pictures the things I learned about landscapes with the ink exercises.
I'll work mostly with limited palettes and low saturation colors so I can concentrate just on lightness and temperature. A good palette for this kind of studies (as suggested on ConcpetArt.org) is:
- yellow ochre
- titanium white
- burnt sienna
- a very dark black
Most blacks mixed with titanium white result in cool grays, so this palette allows to experiment with both warm and cool grays. It is optimized for human skin tones but ochre and sienna are very flexible colors and it's fine for studying values. In some cases (like the camel picture below) I replace burnt sienna with Van Dyck brown to keep the saturation lower.
I'll try different styles but I also want to focus on wide brush strokes, on the track of Sargent and digital speed painting, because they look awesome and they seem a good way to render complex movements as those of birds in flight.
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