"I remember" WIP

On the way back from holidays I thought of a vulture girl wearing several necklaces made with the skulls of extinct species (not dinosaurs but animals which got extinct in historical times). The idea was that vultures have tasted the meat of many extinct animals and so they remember even obscure ones. Didn't make much sense, but apart from that it would be impossible to find enough references of skulls of extinct animals as most of them are obscure species which hadn't been studied much. The only preserved specimen are probably lost in the archives of museums across the world. Also the choice would have been limited to vertebrates and to animals of similar size, which are silly limitations given that most endangered animals are not vertebrates and they are often small.

Take two after some research: the necklaces are not made with bones but with sculpted figurines of the animals, each one with an attached strip of cloth with the specie's name. The girl is a Griffon vulture, a species which can live more than 50 years in captivity, and all the figurines will be of species which have gone extinct in the last 50 years (a minuscule subset of them).

On to the color test, with the same limited earths palette of the unicorness:

 

The things in the background are construction cranes. Seems appropriate since so many recent and ongoing extinctions are due to wild urbanization. Graphically their straight lines should contrast with the curvy vulture and form a nice framing along with the staff (modeled after a Pyrenean Ibex head).

Cinder maiden

No odd symbolism here, just a cinder/blackboard colored unicorness. :-)

Since I keep losing control of color saturation I'll be working for a while with a restricted palette based on earths: titanium white, ivory black, natural sienna, burnt sienna, yellow ochre and ultramarine. This painting is done using with this palette. It's a very simple palette which forces to pull the most out of each color and to think of color temperatures rather than hues, which is the key to controlling saturation.

A small treasure from the past

I'm amazed at how little printed information exists about the anatomy of wild animals and how hard it is to find it. Any university bookstore has books with anatomy schemes of cows, dogs and other domesticated animals, but schemes of muscles or bones of any wild species are rare, often only found scattered in specialized reviews. Over the years I've collected on internet several gigabytes of anatomy schemes, skeleton photos, dissection photos etc., and I've bought the best books I could find on the topics. I've found stuff about some really exotic species but not as much as I'd like to. In order to find information on penguin fin muscles I had to dig them out of the Challenger Reports, the logs of an XIX century explorer ship, which also contain a few thylacine dissection drawings - very few of them, possibly the only existing study of this kind, of a species which nobody will be able to study again...

The rest of the Challenger drawings is here (links to chapters are towards the bottom of the pages).

Puffins are regularly eaten in some countries but good luck finding a scheme of their wing muscles. I could only find very crude schemes from a cute study about their swimming motion. I see it's not very useful information for most people, but it's kinda... embarassing? To discover we are so abysmally ignorant about many animals we like a lot, like penguins. We kill them by the milions and treat most of the corpses as trash, yet it seems nobody bothers to take a closer look at the little wonders.

Coloring test and an antelope

I've had a really unique holiday this year... I'll post a report soon. In the meanwhile I've done a tiny coloring test for the avatar picture, hopefully no further tests will be needed.

Also found a cute recent sketch I forgot to upload anywhere: